Intro to lighting with flash…

This week we started learning about lighting with flash. We photographed each other in the atrium using a flash with wireless triggers, an umbrella on a stand and a reflector.

When shooting with flash, don’t forget you want to meter for the ambient light behind your subject then adjust your flash accordingly.

Tip: When taking flash photos the shutter speed affects the ambient light and the aperature affects the flash.

Check out this post on Strobist about using an umbrella for shooting portraits with your accessory flash.

Two good books by Neil Van Niekirk that will help you with learning to use your flash:

On-Camera Flash Techniques for Digital Wedding and Portrait Photography

Off-Camera Flash Techniques for Digital Photographers

A few videos to watch:

A fun video on creative bouncing of light http://youtu.be/MWLevMDWT2U

Joe McNally’s video channel on ouTube. Lots of good stuff there.

Jackie’s shoestring indoor/outdoor studio lighting setup…

The bare minimum: Less than $85 gets you a simple effective light setup (This is assuming you already have a flash)

If you’re using your flash off camera then you’ll need a Wireless Hot Shoe Flash Trigger and Receiver They are cheap but seem to work fine. If you go “pro” then you’ll eventually want to plunk down the cash for some Pocket Wizards or Radio Poppers.

You’ll also need a stand, flash bracket and something to difuse your light CowboyStudio Speedlite Flash Kit Photography Photo Studio Flash Mount Umbrellas Kit

43″ 5-in-1 Collapsible Disc Reflector very handy to have for bouncing light.

Need a flash?

If you’re going to use your flash on camera as well as off then get the brand of flash that goes with your camera or a brand that allows you to use features like TTL with your camera.

If you’re only going to use it off camera then you can get something like the YN-560 Speedlight Flash for Canon and Nikon.

Another off brand flash with good reviews is the LumoPro LP160

Vivitar makes good flashes but they are expensive. You can also look for a used older model flash off of Craigslist.

Extras:

22″ 60CM Portable 5 in 1 Collapsible reflector Nice for table top work.

24″ Large Speedlite Flash Softbox with L-Bracket, Shoe Mount & Carry Case Since I just got one, the jury is still out with me as to whether or not I like the softbox over the umbrella yet.

16″ Speedlite Flash Softbox with L-Bracket, Shoe Mount & Carry Case

Portable backdrop: Reversible Two Sided Pop Out Black & White Background Panel 5 x 7 ft

Flash gels: Cinegel kit

Please note that if you use your light stand outside you may want to add some type of weight like a sandbag to the bottom of the stand. If you’re handy you can make your own. There are lots of DIY ideas here.

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Wabi Sabi what?…

Here is a definition of Wabi-Sabi that I pieced together from several found on the Internet…

Wabi-sabi is the ancient Japanese art of seeing beauty in the imperfect, impermanent, rustic and primitive. It is a beauty of things modest and humble. It is a beauty of things unconventional.”

“Wabi” is the kind of perfect beauty that is seemingly-paradoxically caused by just the right kind of imperfection, such as an asymmetry in a ceramic bowl which reflects the handmade craftsmanship, as opposed to another bowl which is perfect, but soul-less and machine-made.

Wabi also connotes rustic simplicity, freshness or quietness, and can be applied to both natural and human-made objects, or understated elegance. It can also refer to quirks and anomalies arising from the process of construction, which add uniqueness and elegance to the object.

Sabi is beauty or serenity that comes with age, when the life of the object and its impermanence are evidenced in its patina and wear, or in any visible repairs.

Your homework is to bring in a photograph that interprets how you envision Wabi Sabi. You photo can be 5″x7″ or 8″x10″. I understand Ritz is having an 8″x10″ sale right now. Please feel free to bring in more than one photo if you’d like.

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Week one – let’s talk about ‘raw’…

It was nice to see all of you in class Thursday. I am looking forward to working with you all over the coming weeks

In class we talked about shooting and processing RAW files. Here is a great article on the Pros and Cons of Shooting in RAW.

We discussed visual weight in photographs and looked at some good examples on this site.

I’d like you to start keeping a photo/visual journal of ideas for photographs.

Here is an article on keeping a photographic journal.

Information about Dan Eldon and his journals.

Another photographer, Peter Beard, that has kept journals all his life.

Amazon links for a few of the books about photographers and journals …

Sante D’Orazio A Private View: Photographs and Diary

The Journey Is the Destination: The Journals of Dan Eldon

Big Up

Yann Arthus-Bertrand: Being a Photographer

A good book on visual journaling: Drawing From Life: The Journal as Art

A few more sites you might like…

Here is a link to the movie about Dan Eldon’s life.

Here’s some more information on recording your ideas.

Your homework assignment this week is to shoot photographs that have a limited color palette. Here is a page with some good examples. I downloaded them a while ago from a site that is no longer available. When shooting your photographs keep in mind composition and consider what you learned about visual weight and what draws the eye.

You were given a color for your palette. Take a lot of different shots and bring in an 8″x10″ collage using at least 10 of the shots that you took.

Limiting your color palette can often produce very striking results. A monochromatic color scheme would include shades and tones of only one color. A dichromatic color scheme, either analogous or complementary would include only 2 colors.

Please feel free to email if you have any questions.

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Welcome!

“Inspiration exists, but it has to find us working.”
~ Picasso

Welcome to Intermediate Digital Photography Class blog!

New classes start in January 2012. Please see the Virginia MOCA website  for more info.

This is where I will be posting class recaps, homework assignments and interesting tidbits of information so please check back regularly.

The book required for this class is Within the Frame: The Journey of Photographic Vision

Other recommended books are:

Photo Op: 52 Weekly Ideas for Creative Image-Making

The Wild Side of Photography

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